Upacara Roko Molas Poco

Upacara Roko Molas Poco

Kampung Leda - Ruteng 9 Agustus 2013.

Dilihat dari segi kata, Roko berarti mengambil, Molas diidentikkan dengan wanita cantik dan Poco berarti gunung.
Upacara ini merupakan upacara pengambilan kayu di hutan yang digunakan sebagai tiang utama dalam pembuatan rumah adat (mbaru tembong).
Dalam upacara ini “Molas Poco” yang diambil untuk dijadikan tiang utama (Siri Bongkok) yang akan dibuat dan diletakkan di tengah-tengah rumah adat yang akan dibuat; dan rumah adat yang akan dibuat tersebut berbentuk kerucut dan bagian ujung atas rumah dipasang tanduk kerbau (rangga kaba).

PUAR = ANAK RONA ULU DE  GOLO/BEO

Neka  pande nggosak agu locak adak tana Manggarai, Ai adak situ ceca mose dite. Ceca situ  mbate dise ame - pedeng dise ende – serong dise empo. Eme nggosak  adak tana manga loang mose. Lupi nitu luang. Mose luang hitu mose tenggeng, lako le ca wa’i.  Hitu tara nggoo’n: reku  agu meku nai kudut riang adak tana Manggarai.

Mbaru bate kaeng:

Mbaru hitu betuan mbau  ru. Manga mbau one mose. Ite  perlu  mbau. Eme kolang leso bombang,ili laing mbau konang, eme tik leso biring  ili laing  mbau kilit. Konang  agu  kilit hitu haju. Haju mesen perlun one mose dite. Te pande  mbaru perlu haju. Perlu haju te pande siri bongkok, leba, kinang, banggang. siri  bongkok ba lemai  poco. One ntaung 2013 tanggal 9, du pande mbaru gendang Leda, du emi siri bongkok,manga dere,”kole  o  rewung  kole  le, o roko   molas  poso  kole le”. 

Siri bongkok hitu one rapang  dite Manggarai   molas  le mai poco. Le hitu  beon. Le hitu kaeng data tua’n.  Beo ho’o manga nain latang molas  hitu ( haju te siri  bongkok), ongo emin. Paka pecing one weki dite. Ata molas ho’le poc o ata tuan. Betuan: Puar  hitu anak rona de golo. Perlu hiang anak rona. Co’ tara perlu hiang anak rona.  Kudut berkat mose dite.

Peden:

Puar  neka  lusa, apan kole te pande  uma. Jurak eme lusa puar

Golo  neka coco (poro). Eme coco (poro) golo tegi ronco / dopo  / wotos

Wejang neka nggelak. Nggelak wejang  pande  mesa ceca. Wejang  tempat asi, te mora mael tuke angkep, te mora masa lako satar

Osang neka  ngkolak. Ngkolak osang tegi rongkas agu  mora.

Kudut adil mose dite one lino, perlu hiang  atahae, uma duat,compang dari agu poco le.

Referensi:

http://sesambate.blogspot.com

http://chyntia-abbo.blogspot.com/2010/09/upacara-roko-molas.html

http://sesambate.blogspot.com/

Foto oleh: Leonardus Nyoman (leonardus.nym@gmail.com)

Sikka Natar-Sikka Regency-Flores island

The village of Sikka (natar means ‘village’ in the local language), with its pleasant sea view on the south coast, is one of the first places of Portuguese influence and Catholic missionary activity in Flores. Therefore this is a place to take a leap into the past and learn about Sikkanese history, such as the colonial era.

The former center of the Kingdom of Sikka features a big church, which was built with the support of Jesuit priests in 1899. Its inside walls are nicely decorated with local ikat motifs. During the rule of the Sikkanese royal palace, the church was not only a place to hold Holy Communion, but was also used for the inauguration of new kings.

If by any chance you happen to be in Sikka Village at Christmas, you may witness a lasting example of Portuguese influence in the church: Toja Bobu, a dance-drama which was brought to Sikka by the Portuguese, and that is traditionally performed on the 26th of December. In brief, the story is about a beautiful, young princess being courted by many men with all kinds of occupational backgrounds who all eagerly want to marry her. For the luxury loving, spoiled princess, however, these wooers are not wealthy enough; so she finally marries a rich nobleman. Unfortunately, the performances are rarely held nowadays. The Sikkanese Sanggar Gere Bue, a cultural workshop group, tries to fight the loss of this old cultural tradition by reviving Toja Bobu and interpreting the performance in a modern way, without losing its originality.

Sikka Village has been, and still is, one of East Flores’ most important and famous weaving centers. Be prepared to be beleaguered by women who, of course, would like you to acquire a piece of their artwork. As in other villages, visitors to Sikka also have the opportunity to see – by pre-arrangement and for a fee – the complete steps of ikat-weaving, including the dyeing of the threads with natural colors.

Text: www.florestourism.com
Photography: Leonardus Nyoman